![]() Step one – make a feedback channel Activate Ableton’s feedback mode This is precisely what we intend to recreate. This allowed the creation of very flexible feedback loops which could quickly get out of control and start making chaotic noises, but a skilled operator could manage this chaos into art.įor some examples of Dub Delay in songs you can listen to a few in the dub section of my music shop Additionally it meant that the mixing engineers could now send delay into reverb, or reverb into a flanger and then into the delay. What Lee Perry (and others) did was to route the effect output of the Delay unit into a normal track channel, thus allowing the effected Delay returns to be EQed and even sent back to themselves using the effect sends, delay-eq-delay-eq-delay-eq-…. ![]() The return channel could not send to other effects. This return channel was a very simple channel with no EQ, or any other features common to the rest of the mixing board tracks. ![]() Traditionally the way to incorporate effects returns on an analogue mixing board would be to have a send dial on each track (such as Drums), the effect send dial would send a percentage of the track signal out to the delay device, the effected signal would return back into the mixing board onto a dedicated return channel. Often the effect device used was a very simple type of analog echo device known as a bucket brigade delay, however the notable sonic features which made the distinctive dub sound was NOT inherent in the delay device itself but in the way it was routed. In the recordings of Lee “scratch” Perry, King Tubby, and others, there is a very recognisable echo sound which has come to be recognised as the “Dub Delay”. In later tutorials I will cover feedback matrices and automation, intermodulation and other more advanced topics.Ī “Dub Delay” A short history and explanation I’ll explain some pitfalls to avoid which we should bear in mind as our experiments become more complex. The tutorial also shows you the basics which can be used in all of these cases, this involves activating feedback in Ableton Live’s effect return channels and showing you how to progressively reshape the sound produced until you have a unique effect. In this first tutorial I will focus creating the Dub Delay and a little bit of regenerative Looping. Here are three audio examples of the sound of feedback The types of outcomes you can create with feedback range from Dub style delays, to no-mixer synthesis, to looping evolving ambient soundscapes. If you are the type who learns by dismantling a working example, then there is a downloadable example file at the end of this tutorial. Exploring feedback techniques can bring a complexity and uniqueness of sound to your tone palette, it is a sound with internal coherence so it might appear more “natural” than other types of synthesis or effect. ![]() Click here to browse the full collection.This tutorial is the first in a series covering feedback in synthesis and production, and how it can be a fun way to create new and interesting sounds with a seeming life of their own. Revealing advanced production techniques, sound design and FX automation. Inside each template you will find a fully produced, arranged, mixed & mastered track. This works great when you want to widen big leads, or upper bass, without affecting the low end.Ĭheck out our full project templates. You should now be hearing the widening of the specific frequency. Next, insert an equaliser (on the AUX) and band pass the frequency you want to be affected.įinally, insert a time delay plugin after the equaliser to create a Haas Effect. However, here is another little trick that allows you to create this effect on a specific frequency.įirst, send your sound (synth lead, keys, guitars etc…) to an AUX (send) channel. This works especially well for short percussive sounds. We can achieve this psychoacoustic effect by delaying one copy of identical sound by up to 30-40ms. Frequency Specific Haas Effect.Ī very well known technique for creating an illusion of wide stereo space is called the Haas Effect.
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